The Vatsayayana Kama Sutra Richard Francis Burton-Books Pdf

The Vatsayayana Kama Sutra Richard Francis Burton
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About females acting the part of Males,On holding the Lingam in the Mouth. How to begin and how to end the Congress Different kinds of. Congress and Love Quarrels,Part III About The Acquisition Of A Wife. Observations on Betrothal and Marriage,About creating Confidence in the Girl. Courtship and the manifestation of the feelings by outward signs and. On things to be done only by the Man and the acquisition of the Girl. thereby Also what is to be done by a Girl to gain over a Man and. subject him to her,On the different Forms of Marriage. Part IV About A Wife On the manner of living of a virtuous Woman. and of her behaviour during the absence of her Husband. On the conduct of the eldest Wife towards the other Wives of her. Husband and of the younger Wife towards the elder ones Also on the. conduct of a Virgin Widow remarried of a Wife disliked by her. Husband of the Women in the King s Harem and of a Husband who. has more than one Wife,Part V About The Wives Of Other People.
On the Characteristics of Men and Women and the reason why. Women reject the Addresses of Men, About Men who have Success with Women and about Women who are. easily gained over, About making Acquaintance with the Woman and of the efforts to. gain her over,Examination of the State of a Woman s mind. The Business of a Go Between, On the Love of Persons in authority with the Wives of other People. About the Women of the Royal Harem and of the keeping of one s own. Part VI About Courtesans,Introductory Remarks, Of the Causes of a Courtesan resorting to Men of the means of.
Attaching to herself the Man desired and the kind of Man that it is. desirable to be acquainted with,Of a Courtesan living with a Man as his Wife. Of the Means of getting Money of the Signs of a Lover who is. beginning to be Weary and of the way to get rid of him. About a Reunion with a former Lover,Of different kinds of Gain. Of Gains and Losses attendant Gains and Losses and Doubts and. lastly the different kinds of Courtesans, Part VII On The Means Of Attracting Others To One s Self. On Personal Adornment subjugating the hearts of others and of tonic. Of the means of exciting Desire and of the ways of enlarging the. Lingam Miscellaneous Experiments and Receipts,Concluding Remarks. IN the literature of all countries there will be found a certain number of works. treating especially of love Everywhere the subject is dealt with differently and. from various points of view In the present publication it is proposed to give a. complete translation of what is considered the standard work on love in Sanscrit. literature and which is called the Vatsyayana Kama Sutra or Aphorisms on. Love by Vatsyayana, While the introduction will deal with the evidence concerning the date of the.
writing and the commentaries written upon it the chapters following the. introduction will give a translation of the work itself It is however advisable to. furnish here a brief analysis of works of the same nature prepared by authors. who lived and wrote years after Vatsyayana had passed away but who still. considered him as the great authority and always quoted him as the chief guide. to Hindoo erotic literature, Besides the treatise of Vatsyayana the following works on the same subject are. procurable in India,The Ratirahasya or secrets of love. The Panchasakya or the five arrows,The Smara Pradipa or the light of love. The Ratimanjari or the garland of love,The Rasmanjari or the sprout of love. The Anunga Runga or the stage of love also called Kamaledhiplava or a boat. in the ocean of love, The author of the Secrets of Love was a poet named Kukkoka He composed.
his work to please one Venudutta who was perhaps a king When writing his. own name at the end of each chapter he calls himself Siddha patiya pandita i e. an ingenious man among learned men The work was translated into Hindi years. ago and in this the author s name was written as Koka And as the same name. crept into all the translations into other languages in India the book became. generally known and the subject was popularly called Koka Shastra or. doctrines of Koka which is identical with the Kama Shastra or doctrines of. love and the words Koka Shastra and Kama Shastra are used indiscriminately. The work contains nearly eight hundred verses and is divided into ten chapters. which are called Pachivedas Some of the things treated of in this work are not. to be found in the Vatsyayana such as the four classes of women the Padmini. Chitrini Shankini and Hastini as also the enumeration of the days and hours on. which the women of the different classes become subject to love The author. adds that he wrote these things from the opinions of Gonikaputra and. Nandikeshwara both of whom are mentioned by Vatsyayana but their works. are not now extant It is difficult to give any approximate idea as to the year in. which the work was composed It is only to be presumed that it was written after. that of Vatsyayana and previous to the other works on this subject that are still. extant Vatsyayana gives the names of ten authors on the subject all of whose. works he had consulted but none of which are extant and does not mention this. one This would tend to show that Kukkoka wrote after Vatsya otherwise. Vatsya would assuredly have mentioned him as an author in this branch of. literature along with the others, The author of the Five Arrows was one Jyotirisha He is called the chief. ornament of poets the treasure of the sixty four arts and the best teacher of the. rules of music He says that he composed the work after reflecting on the. aphorisms of love as revealed by the gods and studying the opinions of. Gonikaputra Muladeva Babhravya Ramtideva Nundikeshwara and. Kshemandra It is impossible to say whether he had perused all the works of. these authors or had only heard about them anyhow none of them appear to be. in existence now This work contains nearly six hundred verses and is divided. into five chapters called Sayakas or Arrows, The author of the Light of Love was the poet Gunakara the son of Vechapati. The work contains four hundred verses and gives only a short account of the. doctrines of love dealing more with other matters, The Garland of Love is the work of the famous poet Jayadeva who said about. himself that he is a writer on all subjects This treatise is however very short. containing only one hundred and twenty five verses. The author of the Sprout of Love was a poet called Bhanudatta It appears from. the last verse of the manuscript that he was a resident of the province of Tirhoot. and son of a Brahman named Ganeshwar who was also a poet The work. written in Sanscrit gives the descriptions of different classes of men and. women their classes being made out from their age description conduct etc It. contains three chapters and its date is not known and cannot be ascertained. The Stage of Love was composed by the poet Kullianmull for the amusement. of Ladkhan the son of Ahmed Lodi the same Ladkhan being in some places. spoken of as Ladana Mull and in others as Ladanaballa He is supposed to have. been a relation or connection of the house of Lodi which reigned in Hindostan. from A D 1450 1526 The work would therefore have been written in the. fifteenth or sixteenth century It contains ten chapters and has been translated. into English but only six copies were printed for private circulation This is. supposed to be the latest of the Sanscrit works on the subject and the ideas in it. were evidently taken from previous writings of the same nature. The contents of these works are in themselves a literary curiosity There are to. be found both in Sanscrit poetry and in the Sanscrit drama a certain amount of. poetical sentiment and romance which have in every country and in every. language thrown an immortal halo round the subject But here it is treated in a. plain simple matter of fact sort of way Men and women are divided into. classes and divisions in the same way that Buffon and other writers on natural. history have classified and divided the animal world As Venus was represented. by the Greeks to stand forth as the type of the beauty of woman so the Hindoos. describe the Padmini or Lotus woman as the type of most perfect feminine. excellence as follows, She in whom the following signs and symptoms appear is called a Padmini Her. face is pleasing as the full moon her body well clothed with flesh is soft as the. Shiras or mustard flower her skin is fine tender and fair as the yellow lotus. never dark coloured Her eyes are bright and beautiful as the orbs of the fawn. well cut and with reddish corners Her bosom is hard full and high she has a. good neck her nose is straight and lovely and three folds or wrinkles cross her. middle about the umbilical region Her yoni resembles the opening lotus bud. and her love seed Kama salila is perfumed like the lily that has newly burst. She walks with swan like gait and her voice is low and musical as the note of. the Kokila bird she delights in white raiments in fine jewels and in rich. dresses She eats little sleeps lightly and being as respectful and religious as she. is clever and courteous she is ever anxious to worship the gods and to enjoy the. conversation of Brahmans Such then is the Padmini or Lotus woman. Detailed descriptions then follow of the Chitrini or Art woman the Shankhini or. Conch woman and the Hastini or Elephant woman their days of enjoyment. their various seats of passion the manner in which they should be manipulated. and treated in sexual intercourse along with the characteristics of the men and. women of the various countries in Hindostan The details are so numerous and. the subjects so seriously dealt with and at such length that neither time nor. space will permit of their being given here, One work in the English language is somewhat similar to these works of the.
Hindoos It is called Kalogynomia or the Laws of Female Beauty being the. elementary principles of that science by T Bell M D with twenty four plates. and printed in London in 1821 It treats of Beauty of Love of Sexual. Intercourse of the Laws regulating that Intercourse of Monogamy and. Polygamy of Prostitution of Infidelity ending with a catalogue raisonnee of the. defects of female beauty, Other works in English also enter into great details of private and domestic life. The Elements of Social Science or Physical Sexual and Natural Religion by a. Doctor of Medicine London 1880 and Every Woman s Book by Dr Waters. 1826 To persons interested in the above subjects these works will be found to. contain such details as have been seldom before published and which ought to. be thoroughly understood by all philanthropists and benefactors of society. After a perusal of the Hindoo work and of the English books above mentioned. the reader will understand the subject at all events from a materialistic realistic. and practical point of view If all science is founded more or less on a stratum of. facts there can be no harm in making known to mankind generally certain. matters intimately connected with their private domestic and social life. Alas complete ignorance of them has unfortunately wrecked many a man and. many a woman while a little knowledge of a subject generally ignored by the. masses would have enabled numbers of people to have understood many things. which they believed to be quite incomprehensible or which were not thought. worthy of their consideration,Introduction, IT may be interesting to some persons to learn how it came about that. Vatsyayana was first brought to light and translated into the English language It. happened thus While translating with the pundits the Anunga Runga or the. stage of love reference was frequently found to be made to one Vatsya The. sage Vatsya was of this opinion or of that opinion The sage Vatsya said this. and so on Naturally questions were asked who the sage was and the pundits. replied that Vatsya was the author of the standard work on love in Sanscrit. literature that no Sanscrit library was complete without his work and that it was. most difficult now to obtain in its entire state The copy of the manuscript. obtained in Bombay was defective and so the pundits wrote to Benares. Calcutta and Jeypoor for copies of the manuscript from Sanscrit libraries in. those places Copies having been obtained they were then compared with each. other and with the aid of a Commentary called Jayamangla a revised copy of. the entire manuscript was prepared and from this copy the English translation. was made The following is the certificate of the chief pundit. The accompanying manuscript is corrected by me after comparing four different. copies of the work I had the assistance of a Commentary called Jayamangla. for correcting the portion in the first five parts but found great difficulty in. correcting the remaining portion because with the exception of one copy. thereof which was tolerably correct all the other copies I had were far too. incorrect However I took that portion as correct in which the majority of the. copies agreed with each other, The Aphorisms on Love by Vatsyayana contain about one thousand two. hundred and fifty slokas or verses and are divided into parts parts into chapters. and chapters into paragraphs The whole consists of seven parts thirty six. The Vatsayayana Kama Sutra complete translation of what is considered the standard work on love in Sanscrit and always quoted him as the chief guide

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